HOT SHOT 15-WHAT TO EMPHASIZE IN YOUR SKETCHES
Saturday, May 18th, 2013 at
6:39 pm
I’m always excited to post something new here! This tip or should I say hot shot, is really one of those that reveal the difference between the pro- artist and the amateur. But even the amateur can develop this mind-set and watch their work advance! This hot shot is what to leave out, more what what to put in.
It is about where to work and where not to work. You don’t have to over labour your sketches.
Think in terms of where you want you viewer to focus on…… think of what you really want to emphasize! Anyway, before I keep rambling on, Please click HERE if you missed my last HOT SHOT on letting who you are show through your sketches!
The Completed Demo- You can see the areas emphasized help to create an interest all around, it's by selecting a few places and those place now help the sketch to have IMPACT!
HOT SHOT 15
“Think as you sketch what you’d like to emphasize. It won’t be right to leave it all light or all of it heavy. It’s always great to have a little bit of suspense or uncompleted parts for the viewer to fill in and that really helps for a balanced piece.”
Adebanji sketching on the tube- I see a face and immediately I decide what I'll like to emphasize!
Emphasize only a bit- in your sketches….
Select what to emphasize in your sketches.
sketch 4- the faces here are hardly complete but what needs to be emphasized has already been stated, the viewer "puts" in the rest!
The viewer wants to participate, they want to engage with your sketches.
Josh in Sleep-mode XIIII- Notice the full area of concentration and how the rest just complements the whole picture. Imagine if all the picture was treated with the same intensity?
In some way, they almost want to “enter” your mind!
That’s how powerful our sketches can be!
The artists’ treasure are their sketches. It is here that one can see the real substance of the artist.
sketch 1- Look out for the areas that have been emphasized? Her Torso is almost absent from the scene, yet it joins the face and the knitting hand together!
That is why, secretly, you want to exaggerate this process of interaction with the viewer, by not giving everything away.
sketch 3- She had so much on but I decided to give her face the most treatment and leave the rest a bit unfinished.
Some people call it the suspense part of the piece. Some people say it balances the design. Some people call it emphasizing the centre of interest, while some, like the great draughtmsman-
Burton Silverman calls it:selectivity!
I like to see it in terms of selectivity. Once I begin a sketch, I always have it at the back of my mind to emphasize or exaggerate one part and really hone into this area and most of time, it is an area that interests me!
Angus- I sketched him while his gig was going on, no time to sketch the whole figure, so I emphasize the main things- His hands and head.
This is not always on my mind when I start every sketch but I sometimes have to pinch myself to remember this.
Once I develop this area, I leave other parts to accompany this area or compliment it, but not compete with it. Everything cannot be handled with complete full attention or intensity.
AFRO XXIII- This piece is from my AFRO series, the whole Piece is about what to leave out-I have left out everything in the background, only to emphasize the key elements and leave the viewer to enjoy the rest of the mystery
So, learn to leave a little bit of the sketch unresolved, let it remain a mystery and If by chance it happens naturally and you don’t have time to complete a sketch, just leave it the way it is, don’t go back to re-work it because that might just be the beauty of it!
If re-worked, it could probably bring about the death of it!
NB. Just before I go-Does any art group, club, individual or individuals, college or School, need a teacher/tutor in sketching, Life Drawing, Urban sketching, figurative painting, portrait painting, still life painting or Plein Air painting? Or any representational art course?
Please contact me via message or comment, as I’m currently looking for places to complete my student placement in my current Teaching Course.
Anywhere in London is preferable- Thanks!
You do not need to pay as I just need this experience to complete the requirements of the Teaching course.
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Tagged with: Adebanji Alade • Burton Silverman • emphasize • graphite • impact • Kezia • Life Drawing • selectivity • sketch • sketchbook • Sketches
Filed under: Inspiration to sketch • Sketching Tips
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Hi Adebanji.
Thank you very much for your brilliant insight to sketching. I do love sketching, people especially, and your tuition is a great help to me. My friend, what do you use for your sketching? It looks like some sort of ink marker, is that so? As you know, there is no going back once you have made a mark, so one has got to know what he is doing, and you certainly do. Thank you and all the best, especially to that lovely little daughter of yours that you sketched.
Vic.
Thanks Victor, in the demo I used a Chunky graphite stick and in most of the sketches I do on public transport, I use a Bic Ballpoint pen (black).
I am happy you are gaining and learning from these tips/ tuition.
I’ve got lots to share, I’m always excited to share something new!
For the tones in my travel sketches, I use a TomBow Dual wash pen, it’s a kind of brush marker. The particular one I use is N75 which means Neutral 75. It’s a cool grey colour.
Hope this helps!
This is the best explanation of this process I have ever seen. Your sketches suddenly make everything clear.
Thanks Diana! I know pictures speak louder than words, that’s why I always try to search out for sketches that best portray the tip I’m trying to share! Glad you enjoyed it!
good advices man thanks from domincan republic
Thanks Fernando! You are most welcome!
I’ve just this minute finished preparing a support for my final assessment piece on for the OCA Drawing course. Your email tip couldn’t be more timely. It will be speaking to me all tomorrow, as I work. Thank you for sharing, giving, inspiring.
Steve- you are most welcome! It’s feedback like this that just keeps me wanting to share!
Enjoy tomorrow!!! Just let it flow!
I love your HotShot posts, Adebanji! This one was, as usual, very helpful and informative which I appreciate so much. Thank YOU!
You are welcome Serena!
I enjoyed this very much. The sketches you share here are so beautiful! Thank you for this wonderful post.
You are welcome Anne!
Thanks again for a great lesson. I believe you are going to be a good teacher, a real teacher who teaches with passion and compassion. I have shared this lesson on Facebook and shared that you are looking for a placement. Good luck Adebanji.
Awwh Thanks ever so much Pauline, I really appreciate that- thanks for all your help!
Another fabulous demo. My “teachers” for quick sketches were Holbein and Ingres’s sketches, the same thing, much more fun to see it live though! If I lived in London I’d find you some places to tutor just so I could indulge in the spectator sport of watching you draw!
Thanks Margo! I really like Ingres too! Thanks for the encouraging words, I’ll update you all with the progress in the placement.
Another fab Hotshot Adebanji. I am learning such a lot from these. Thank you!
You are welcome Gary!
Hello Adebanji,
Thank you for another wonderfully inspiring Hot Shot….I must really take this to heart, as I have a tendency to overwork my sketches! As you say, what starts off as a relaxed creative sketch can end up being too busy, and you lose the one thing that drew you to the subject in the first place! Thank you so much – looking forward to the next one.
Hi Adebanji
Another great hot shot. I find them all so interesting and inspirational and I need all the motivation I can get! I see you’re offering some tuition as part of your teaching course. I’m rubbish at life drawing but have just signed up to a life drawing course in September. If you can give any individual help I’d love to meet up. I’m retired so am fairly flexible. I live in the London area.
Vic, sorry I replying so late in the day! But that is great! I’m a bit busy now but very soon I’ll contact you and we can work something out! There’s always a way and room to improve!
I’m late to the party, as I see most of the comment are from June, and now it is October. I’ve only just found your website and going thru your ‘hot shots’… I think I need to go back to number one and work my way forward. Drawing people has always intimidated me, you make it look doable. Thanks for sharing your knowledge and your lovely baby girl… who is a deep sleeper… didn’t mind one bit that her Daddy was talking right in front of her while she slept. Some day she is going to treasure that drawing.
Thanks Elaine, you are most welcome!
Adebanji,
Thank you for your hot shots, I enjoy your enthusiasm. As I watch your videos, I see you hold your pencil up to your subject and move it quickly. Are you measuring the angle and then transferring it to your drawing?
Lisa