HOT SHOT 11- SKETCH WHAT YOU SEE and NOT WHAT YOU KNOW about WHAT YOU SEE.
Friday, March 15th, 2013 at
10:25 am
It’s great to get into my Hot Shots again!!! If this is your first time here, this is where I share my tips on sketching! I call the tips-Hot Shots! This Hot Shot has a very long title-and that’s the only way I could put it!
I say this to art students and sometimes I get that ‘look-back’. They look back and say, “but I know that!” But it’s one thing to know it and it’s another thing, to make sure one practices what one knows!
So lets get into it but if you missed HOT SHOT 10 which focused on the structure of whatever you plan to sketch, click HERE
I still fall into the trap of sketching what I know about something than sketching entirely what I see to the best of my ability. It’s a battle and I keep doing my best to overcome!
HOT SHOT 11
This one may sound really obvious but it’s not. From my experience I would always advice anyone to sketch what they see, even if it doesn’t make sense. It would always end up looking like something else if you sketch what you know about something, rather than what you see. You have got to trust your eyes. It’s very important. Naturally we are not wired to see this way- but for the sketch inspiration to flow you have to change from what you know to what you see.
The Know and See Demo- This is the demo with a little more additions after the recording.
It’s a bit hard because we naturally don’t see this way. We store a lot of information and make assumptions about how things look. But when it comes to sketching from life, we just have to forget all we know and just go for what we see.
Sketch of Kev- There's no way you'll fully concentrate and put your whole life into a sketch, without the sketch breathing life back to you. There are times we can take liberties but even though we sketch, lets really throw ourselves into it with all our hearts!
REASONS WHY I FALL INTO THIS TRAP
Sometimes I just feel lazy to really concentrate and give what I am sketching, my best shot!
Sometimes I lack a bit of confidence in my ability and that’s not a good sign while sketching. You have got to be confident when taking on anything- that it’s going to come out great!
It’s easy just for me to just scribble a few lines and jumble them up all in the name of sketching but the reality is, I am not really in the right frame of mind to take the sketch on.
Sketch of Kev in Progress-I added this picture so you could see right behind my head. It gives you a feel of the model and the sketch in progress. I place myself in such a position where almost only my eyes move back and forth and not my head. This helps a bit. But the key thing is not to make assumptions!
MY SOLUTION
One way I combat this or one of the ways I keep myself disciplined to do this is by making sure I don’t move my head too often but just my eyes.
It’s the eyes that need to see and ‘feel’ the object or subject and translate it to our brains, then our brains transfer the message to our hands. We must trust our eyes!
Sketch of Sean- This demanded full concentration, he wasn't very stable too. But whenever you determine and have the right mind-set to nail it in one go it helps-There was limited time but that helped me avoid or edit out the things that didn't really matter.
In this post, I have shown a few sketches I have made with the models for you to see the resemblance. This resemblance only comes through serious concentration. You almost have to find a way of solving what you see, to simplest strokes of lines or shade so it looks like what you are sketching. You may not really take on figures. Your subject matter could be anything that interests you! But this same rule applies!
Sean with Sketch- This is another guy pleased with the sketch, I had a very short time to spend as he was in a hurry but that made me focus more on the essentials.
I think it was the great artist,
Harley Brown that said,
“Whenever you get into the conflict of drawing what you know against what you see, you need to trust your eyes and just draw what you see.”
Sketch of Chan- You can see the resemblance and how pleased he looks with the sketch-this is a result of sketching in full absorption, of what I saw in front of me and no more.
It was quite hard to do a perfect demo to illustrate this, but I managed to do the one of my son reading. I hope it made sense and I hope you gained something.
Sketch of Chan in Progress- Even when I am on the street, it has to be a full blooded concentration. There are going to be many distractions but none of the distractions must stop my full concentration on the subject. One has to give oneself totally to the model!
When next you are sketching or drawing- remember to ask yourself these questions as you go along: Does it really look like that? Have I made that up? Am I just rushing to complete this? Am fully absorbed in this drawing or am I just casually sketching?
Even though it’s a sketch, it’s going to look more convincing with 2 minutes of concentration than 5 minutes of casual looking.
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Tagged with: A4 moleskine Sketchbook • Adebanji Alade • homeless • Life Drawing • London • mechanical pencil • oil base pencil • people • sketchbook • Sketches • sketching tips • urban sketching
Filed under: Inspiration to sketch • Sketching Tips
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Adebanji, I love your approach to your models. You have certainly captured the essence of them, their souls shine through in your sketches. Also I fully agree we need to not make assumptions about what we think about what we are drawing. This applies in every aspect of life really. Seeing what is there is so important, hearing what is said, speaking from the heart is so important. I agree! I am lazy too sometimes. I finish the sketch either being lazy or tired, just to get it done. A much better drawing can be achieved from full concentration. I love reading your writings and watching your videos. I look forward to more. Warmest regards. Pauline
I can’t agree more with everything you have said here Pauline! I love how you brought in the application to life!!! Thanks for the positive feedback too!
Dear Adebanji,
Thank you for sharing these amazing sketching tips. Very inspirational.
All the best to you,
Joan
Thanks Joan, you are most welcome!
Hello Adebanji,
Thanks for another great Hot Shot…I sometimes wish that I could draw better from my imagination, but actually, I feel so much safer with a real subject in front of me! It is such a privillege to be able to see and draw the beautiful world around us – thank you for encouraging us to look properly at our subjects – it really does work!
With best wishes,
Sarah de Mattos
Sarah, I have the same wish too. I am far more efficient with my eyes than imagination!
Thanks for the positive feedback!
Thank you for another excellent post, I am enjoying your insights and learning a lot!
Thanks Sharon, I’m glad you are gaining some insights! This is what it’s all about!
Thank you Adebanji – very good video and lesson. We have to trust our eyes and take the time!
p.s. you have a patient son
Thanks Linnea! I’ll let Josh know! He earns a bit while doing this so this will be an encouragement!
Brilliant. Keep up the good work. Most artist do these things often and its all boil down to how discipline we can be. If we are disciplined we will be able to improve in our skills. Also if we practice this act frequently, we will likely going to be swift in rendering faster, cause not all the time models will wait a whole day; allowing us to achieve precisions.
I enjoyed this.
Emmanuel,Thanks for the positive feedback!
Sometimes if the model can’t stay, sometimes it better to stop it till they can stay and start another one or start another day than to rush and miss the whole learning experience.
yah
Thanks for fowarding the latest Hot Shots Adebanji.I have managed to get into the habit of drawing from life for many years now.It was instilled in me from Art School Days.I lost it for a while when I pursued a Career in Fashion,I think it is like playing a musical instument- if you don’t practice frequently you lose it.
That’s so true Maureen! Practice and practising properly goes a long long way!
Thanks for another great Hot Shot Adebanji. I hope that I can instill this more and more into my own sketches.
Joel, I learn as I share these tips and I see the difference each time I set out to do a new sketch. So the putting it in really matters as its a life long learning experience.
Thanks for another wonderful video lesson, Adebanji! I look forward to them so much. This know/see concept makes me think of right brain/left brain drawing. The left side of the brain focuses on the logical…what we assume due to what we know. The right brain nurtures creativity and, therefore, focuses on what we see. Thanks again…the way you explain things make it all the easier to absorb. 🙂
Exactly Serena- you’ve put it the right way!
Hi Adebanji
I’m loving your Hot Shots!
Thank you for taking the time and effort to generously and enthusiastically share with us.
I am ‘self-taught’ and despite being guided by many good books/authors over quite a few years — including Harley Brown who I was delighted to see you quote above — seeing your very clear, careful explanations and demonstrations has given my drawing/sketching an instant boost!
Many thanks again.
Okay, time to draw (-draw, draw!)
Great Gary!!! I’m pleased you are enjoying the hotshots- the whole essence is getting people all around the world to be inspired to sketch. All this tips are the things I have gained from about 20 years of constant sketching, reading books, watching videos, listening to tutors and instructors and just looking at great artists doing their work!
I have discovered that sharing is another great way to learn!
Thank you very much for this post! It’s really interesting to see the difference between the two sketches you did. When I started to work with angles, as you recommended, I realized once more how often I draw a line in the way I think it should be like instead of what it really is like. Looking forward to your next post!
Thanks Anne, I am glad you enjoyed this post! The new one is here!
Thank you for starting this wonderful series! I am enjoying all of these tips. I am just beginning to learn to draw, but I always wanted to spend time learning how. I think I am like a lot of people who believe if you can’t draw something brilliant right away, then you’ll never learn how to draw at all and you shouldn’t bother even trying. I’m very happy to see that you are giving people tips to urge them to give it a try and have fun doing it. If you practice you will improve and practicing is like an adventure. These tips are wonderful and your artwork is brilliant! I hope you keep this series up. It’s very useful for people who want to learn to draw and have fun recording the world around them.
Thanks for this positive feedback Nathalie! I’m happy you are benefiting from them! I’ll keep posting, there’s always lots to share!
keep us inspired adebanji 😉
great job i have a technique to get all the features of the face and head in order have to constantly look side by side of your subject and drawing. till you can see it mentaly