Hi there, I am back with the hot shots and I hope this fires you to start a challenge of your own. In this HOTSHOT I share a challenge I gave myself, to sketch 100 people in one week. You’ll see my sketchbook throughout the week in video and in detail here for your sketchinspiration!!
Let’s start with the the video clip
Hi there, I’m back with the HOT SHOTS and this time I have the first part of a series that looks into my sketchbooks and gives you an idea of what I’m thinking about and why I choose to sketch certain people I meet on public transport.
Towards the end of the post I’ll also send you some links to some recent stuff I have been involved in.
But for now lets start on HOT SHOT 22- Using your sketchbook as a journal. Read the rest of this entry
It’s nice to get back to these hot shots. I’m so sorry for the massive long wait!
This is Hot shot 21 and it’s all about being able to sketch things when they move and not get frustrated!
Towards the end I’ll be updating you with somethings that I have been up to and involved in, during the long wait and where I’ll be demonstrating before the year ends. Also if you are based in London and want a free ticket to take part the open Studio at Heatherley’s, please let me know and I’ll send you a half day free session to either draw or paint from the model in the open studio at Heatherley’s School of Fine Art, starting off in September.
Let’s start with the Hot Shot first!
It’s been another long break but I am back with the HOT SHOTS-this hotshot is mainly for painters and it’s about having a sketching brain on while painting!
And great news about my upcoming workshop in London! The workshop is titled, “EVERYTHING I KNOW ABOUT SKETCHING”.
After another break I’m happy to get these two great HOT SHOTS to inspire your sketching!! Before I get going I’ll just love to say my exhibition of paintings and drawings of York is currently on at The Kentmere House Gallery, York. I also have an article in The Artist Magazine (December Issue) titled, “Sketching a Passion”- in the article I explain how I transform my sketches from black and white to colour. Do get a copy if you can, it’s a good read…..I’ll be sharing some of the tips in it later on this blog.
If you missed my last post which was way back in August, please click HERE
I am really thrilled to get back to blogging again, it’s been a busy summer for me-I recently took part in a plein air painting Competition in London called “Pintar Rapido”- I happened to win the First Prize, you can read about it HERE ! I have also been painting in York, that was a wonderful experience-you can read my blogposts about it by clicking HERE. I have also been illustrating two children’s books which I’ll let you know about once they are published!
Hope you have kept your sketching going?
This HOT SHOT is all about the one thing we all use while sketching-THE LINE!! The line for the sketcher is the most powerful tool! If the lines can speak, the sketch will have a great IMPACT!
But this HOT SHOT is not only about LINES but also about VARYING THE WEIGHT OF YOUR LINES!
I really can’t wait to keep rambling on, but if you missed my last HOT SHOT you can click HERE, it was all about WHAT TO EMPHASIZE in your sketches.
I’m always excited to post something new here! This tip or should I say hot shot, is really one of those that reveal the difference between the pro- artist and the amateur. But even the amateur can develop this mind-set and watch their work advance! This hot shot is what to leave out, more what what to put in.
It is about where to work and where not to work. You don’t have to over labour your sketches.
Think in terms of where you want you viewer to focus on…… think of what you really want to emphasize! Anyway, before I keep rambling on, Please click HERE if you missed my last HOT SHOT on letting who you are show through your sketches!
This is another great hot-shot! Here I’ll be sharing a little bit about the concept of letting who you are show through your sketches. Every artist has something special about them, something that makes them unique.
This part of us should be showing through in our sketches! My last post was about Squinting and seeing shapes, click HERE if missed this post.
This is a double hot shot and I have decided to combine them both because they are related!
It’s all about having your eyes partially closed in order to see the main shapes in whatever you plan to sketch and then using this to quickly get down some basic marks to get going while sketching this is very helpful when approaching complicated subjects.
But before we continue If you missed my last Hot Shot, number 11, on actually sketching what you see and not what you know about what you see. Click HERE
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